![]() He also said that while he did not know why certain pieces were chosen, Franz Schubert's Symphony No. In an interview which appeared in The New York Times, Williams said that the choices for many of the pieces of classical music were made by the studio. Spielberg typified it as "a black and white score" and said, "I think Johnny Williams does a really nice bit of homage to Benny Herrmann." According to music critic Andrew Granade, the track "Sean's Theme" is described as the only one "instantly recognizable as one of Williams'". He included traditional noir elements such as a female singer (vocal harmonies by Deborah Dietrich) in the Anne Lively scenes, but for the "sentimental scenes", which Williams considered unusual for that genre, led to soothing themes for Anderton's ex-wife Lara and son Sean. While scoring for the film, Williams decided not to focus on the science fiction elements, and made a score suitable for film noir. The soundtrack is inspired from Bernard Herrmann's work. For Minority Report however, his entry was delayed as he was scoring for Star Wars: Episode II – Attack of the Clones, and joined the film when it was nearly completed, leaving him minimal production time. Williams normally enters Spielberg productions at an early stage, well before the film's shooting. ![]() Production Professional ratings Review scores Williams was nominated for the same category in another Spielberg film, Catch Me If You Can, but was lost to Elliot Goldenthal's score for Frida. The score was ruled ineligible for nomination in the Best Original Score category the 75th Academy Awards, due to the prominent use of Schubert's and Tchaikovsky's classical pieces in the film. Williams' score for Minority Report won BMI Film Music Award and Critics' Choice Movie Award for Best Score, while also receiving a nomination for Saturn Award for Best Music. In 2019, a 2-disc limited "expanded edition" was released through La-La-Land Records featuring the full score as heard in the film, along with several alternate and unused tracks as bonus material. ![]() In April 2014, the score was re-released by Geffen Records for music streaming services and music download. Upon its release, the music received mixed reviews from critics, praising the compositions and Williams' instrumental and orchestral approach, but criticised the predictability in the tunes, as well the incorporation of themes from popular composers in the score, though Williams said the score is inspired from Bernard Herrmann's work. Artificial Intelligence (2001 also scored by Williams), oriental percussions and vocal harmonies, were also used for this score. 1), while electronic instrumentation, which was used in Spielberg's previous film A.I. 6, and recurring minuet from the Haydn string quartet ( Op. Several classical pieces were used in the score, including Franz Schubert's Symphony No. Mayer, and vocal harmonies by Deborah Dietrich.ĭespite being a science fiction film, Williams did not focus on science fiction elements, and used traditional noir to suit with some of the sequences, while melodic themes were composed for the film's emotional sequences. The score was composed and conducted by Spielberg's regular collaborator John Williams, with orchestration done by John Neufeld, Conrad Pope, Eddie Karam and Miriam A. The music was released on Jby DreamWorks Records in CD, vinyl and cassettes. Minority Report (Original Motion Picture Score) is the score album to the 2002 film of the same name directed by Steven Spielberg. Star Wars Episode II: Attack of the Clones
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